DealBook: E-Mails Show Alarm at S.&P. as Mortgage Crisis Exploded

10:17 p.m. | Updated

The executive at Standard & Poor’s was clear: “This market is a wildly spinning top which is going to end badly.”

That sober assessment of certain mortgage-related investments, delivered to colleagues in a confidential memo in December 2006, is now part of a trove of internal e-mails and documents that have come to light in a federal suit against S.& P., the nation’s largest credit ratings agency.

The correspondence, made public in court documents late Monday, provide a glimpse at the inner workings of an institution that the Justice Department says fraudulently inflated credit ratings, with dire consequences for the entire economy. In a series of e-mails, tensions appeared to be escalating inside the firm’s headquarters in Lower Manhattan as it publicly professed that its ratings were valid, even as the home loans bundled into mortgage-backed securities, or M.B.S., were failing at accelerating rates.

One comes from an S.& P. analyst in March 2007 borrowing from the Talking Heads song “Burning Down the House,” creating new lyrics: “Subprime is boi-ling o-ver. Bringing down the house.” S.& P. said prosecutors cherry-picked e-mails and that it would vigorously defend itself from “these unwarranted claims.”

In another 2007 e-mail, an analyst responds to a question about his new job: “Job’s going great. Aside from the fact that the M.B.S. world is crashing, investors and the media hate us and we’re all running around to save face … no complaints.”

Together, the documents show a portrait of some executives pushing to water down the firm’s rating models in the hope of preserving market share and profits, while others expressed deep concerns about the poor performance of the securities and what they saw as a lowering of standards.

The United States attorney general, Eric H. Holder Jr., joined by attorneys general from 16 states, unveiled the case on Tuesday in Washington, accusing S.& P. and its parent, the McGraw-Hill Companies, of intentionally propping up ratings of shaky mortgage investments and setting them up for a crash when the financial crisis struck.

The government is seeking $5 billion in penalties to cover losses to investors like state pension funds and federally insured banks and credit unions. The amount would be more than five times what S.& P. made in 2011.

“The action we announce today marks an important step forward in the administration’s ongoing effort to investigate — and punish — the conduct that is believed to have continued to the worst economic crisis in recent history,” Mr. Holder said.

The government, by bringing the civil fraud charges under a 1989 law created after the savings and loan crisis, faces a lower burden of proof when the victims are federally insured banks. But prosecutors could still face a high bar in convincing a jury by a preponderance of evidence that S.& P. knew that its ratings were faulty and that it intended to deceive investors.

“If the facts prove out, it certainly seems like Standard & Poor’s intentionally cooked its models in order to make the ratings higher than they otherwise thought they should be, in violation of the firm’s own policies and standards,” said Neil Barofsky, a former federal prosecutor who served as the special inspector general for the United States Treasury’s Troubled Asset Relief Program from 2008 to 2011.

“What we don’t know yet is, what’s the other stuff that could be out there?” he added, noting that the vast body of internal documents might also contain exculpatory material for S.& P.

The ratings agency said in a statement: “Claims that we deliberately kept ratings high when we knew they should be lower are simply not true.”

The company said that it had always been committed to “providing independent opinions on creditworthiness based on available information,” and that its actions reflected its best judgments about the investments at the heart of the suit — about 40 collateralized debt obligations, or C.D.O.’s, an exotic type of security made up of bundles of residential mortgage-backed securities, which in turn were composed of individual home loans. Those securities were packaged by banks, rated by S.& P. and sold to investors in 2007.

“Unfortunately,” the company’s statement said, “S.& P., like everyone else, did not predict the speed and severity of the coming crisis and how credit quality would ultimately be affected.”

Remarks that S.& P. employees made in internal memos and electronic communications show that as early as spring 2004, certain executives wanted to change the firm’s rating methodology, but only after polling “an appropriate number of issuers and investment bankers” as to the “rating implications.”

The idea of asking bankers what they thought about a change in the firm’s methods shocked some S.& P. analysts and executives, including one who fired back, “What does ‘rating implication’ have to do with the search for truth? Are you implying that we might actually reject or stifle ‘superior analytics’ for market considerations?”

In May 2004, an analyst warned that S.&. P. had just lost to its competitor Moody’s Investors Service the chance to rate a very large deal by being too hard-nosed about the amount of collateral that would be required to get a good rating. More collateral would mean less profit for Mizuho, the bank putting that deal together.

“We must address this now,” she said — otherwise the firm would lose more deals.

The complaint describes a debate in 2004 and 2005 about whether S.& P. should change its model for rating C.D.O.’s and what effect the proposed changes might have on its business. The change was scheduled for July 2005, but before it could happen, an analyst sent an e-mail saying that according to the investment bank Bear Stearns, the older model “had been the ‘best’ ” at rating weaker pools of mortgages, compared with Moody’s and Fitch.

As the housing market deteriorated in early 2007, the gallows humor in the e-mails intensified. Banks that had created mortgage-backed securities were unloading them quickly, to avoid being stuck with any duds.

“That means the market will crash,” one analyst told another in an instant message. “Deals will rush in before they take further loss.”

“Yes,” said the analyst’s colleague. “We should not push criteria,” continued the first, “but we give in anyway. Ahahhahaha.”

About a month later, another S.& P. employee wrote in another instant message, reproduced in the complaint: “We rate every deal. It could be structured by cows and we would rate it.”

In its statement Tuesday, S.& P. said that the cow e-mail “had nothing to do with R.M.B.S. or C.D.O. ratings or any S.& P. model, and the analyst had her concerns addressed with the issuer before S.& P. issued any rating.”

S.& P. said that there was a robust internal debate about how a rapidly deteriorating housing market might affect the C.D.O.’s, “and we applied the collective judgment of our committee-based system in good faith,” adding, “The e-mail excerpts cherry-picked by D.O.J. have been taken out of context, are contradicted by other evidence, and do not reflect our culture, integrity or how we do business.”

It was unclear whether the Justice Department was looking at the other two major ratings agencies, Moody’s and Fitch. Tony West, the acting associate attorney general, said he would not discuss actions against other ratings agencies.

Settlement talks between S.& P. and the Justice Department broke down in the last two weeks after prosecutors sought a penalty in excess of $1 billion and insisted that the company admit wrongdoing, several people with knowledge of the talks said. S.& P. had proposed a settlement of about $100 million, while the government pressed for an admission of guilt to at least one count of fraud, said the people.

McGraw-Hill shares fell nearly 11 percent on Tuesday. Moody’s shares fell about 9 percent, to $45.09.

Andrew Ross Sorkin, Michael J. de la Merced and Floyd Norris contributed reporting.

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Scientists identify remains as those of King Richard III









LONDON -- More than 500 years after his death in battle, scientists announced Monday that they had definitively identified a skeleton unearthed in central England last summer as that of Richard III, the medieval king portrayed by William Shakespeare as a homicidal tyrant who killed his two young nephews in order to ascend the throne.


DNA from the bones, found beneath the ruins of an old church, matches that of a living descendant of the monarch's sister, researchers said.


"Rarely have the conclusions of academic research been so eagerly awaited," Richard Buckley, the lead archaeologist on the excavation, told a phalanx of reporters Monday morning. "Beyond reasonable doubt, the individual exhumed ... is indeed Richard III, the last Plantagenet king of England."





PHOTOS: Remains of King Richard III


The dramatic announcement capped a brief hunt for Richard's remains, the progress of which has been closely charted by international media and whose success has been barely short of miraculous.


Working from old maps of Leicester, about 100 miles northwest of London, archaeologists from the local university had less than a month to dig in a small municipal parking lot -- one of the few spaces not built over in the crowded city center. The team stumbled on the ruins of the medieval priory where records say Richard was buried, then found the bones a few days later last September.


"It was an extraordinary discovery that stunned all of us," Buckley said.


The nearly intact skeleton bore obvious traces of trauma to the skull and of scoliosis, a curvature of the spine that matched contemporary descriptions of Richard's appearance. The feet were missing, almost certainly the result of later disturbance, and the hands were crossed at the wrist, which suggests that they may have been tied.


Scientists at the University of Leicester, which pioneered the practice of DNA fingerprinting, were able to extract samples from the bones and compare them to a man descended from Richard III's sister Anne. The match through the maternal line was virtually perfect.


"The DNA evidence points to these being the remains of Richard III," said Turi King, the project’s geneticist.


Richard reigned from 1483 to 1485, and occupies a unique place in England's long line of colorful rulers. He was the last English king to be killed in combat, at the Battle of Bosworth Field, by his successor, Henry VII. His death ended the Plantagenet dynasty and ushered in the long era of the Tudors, including Henry VIII and Elizabeth I.


Jo Appleby, an osteologist at the university, said the skeleton belonged to an adult male in his late 20s to late 30s; Richard III was 32 when he died. The man would have stood 5-foot-8 at full height, but the curved spine would have made him appear shorter.


The skull was riddled with wounds strongly indicative of death in battle, including two blows from bladed weapons, either of which would have been fatal, Appleby said.


Richard III is one of England's most controversial monarchs, reviled by some as a bloodthirsty despot who stopped at nothing to gain power, but revered by others who insist that he has been unfairly maligned. His supporters note that the repugnant portrait of Richard in today's popular imagination is based almost entirely on accounts from the time of the usurping Tudors, especially Shakespeare's indelible characterization of him as a "deform'd, unfinish'd" man without scruples.


Fans say Richard III was an enlightened, capable ruler whose important social reforms included the presumption of innocence for defendants and the granting of bail, which remain pillars of the legal system in Britain and the U.S.


However, what happened to Richard's two nephews, who were his rivals for the throne and who were locked up in the Tower of London as young boys, never to be seen again, remains a mystery.


ALSO:


Race to unearth a royal mystery


Bones found in hunt for King Richard III's remains


Netanyahu officially asked to put together new Israeli government





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Navy's Next-Gen Binoculars Will Recognize Your Face



Take a close look, because the next generation of military binoculars could be doing more than just letting sailors and soldiers see from far away. The Navy now wants binoculars that can scan and recognize your face from 650 feet away.


That’s according to a Jan. 16 contract announcement from the Navy’s Space and Naval Warfare Systems Command, which is seeking a “Wireless 3D Binocular Face Recognition System.” During a testing period of 15 months, the plan is to improve “stand-off identification of uncooperative subjects” during daylight, using binoculars equipped with scanners that can read your mug from “100 to 200 meters” away, or about 328 to 650 feet. After scanning your mug, the binoculars then transmit the data to a database over a wireless network, where the data is then analyzed to determine a person’s identity. The no-bid contract, for an unspecified amount of money, went to California biometrics firm StereoVision Imaging.


“High level, it’s a surveillance and identification system,” Greg Steinthal, StereoVision’s president, tells Danger Room. “It’s using the ubiquitous binocular for real-time identification. The data point here is that this is to be used to add objectivity to an operation that’s highly subjective. So this is not intended for kinetic action to go arrest or detain someone. It’s more a tool to put other eyes on him or her.”


It helps that the technology — at least in a more limited form — already exists. StereoVision has developed a face-recognizing binocular system called 3DMobileID, with a maximum distance of around 328 feet, or 100 meters. “You have an unfair advantage,” the company touts in one promotional video, showing images of a human face being scanned at a distance, before the background is stripped out for a blue screen and then matched up to a database.



Depending on how well the binoculars work — and there’s reason to be cautious — it could give the Navy the ability to take advanced facial recognition into a much more portable and long-distance version than many current systems. Facebook uses the technology to match faces when users upload new photos. Google has its own version as well for its its Picasa photo service, and Apple has been researching face recognition as a way to unlock smartphones. (There are apps for iOS that do this, too.)


But the ranges on most systems also tend to max out at a few feet. For the military, that can be dangerous. Close-range biometric scanners (iris scanners are currently used by soldiers in Afghanistan) can pose a danger to the operator, as a person walking up to have their features scanned from a few inches away could be preparing to detonate an explosive vest. And what if a person happens to be on the move, or is bobbing and weaving through a crowd? That can render the scanners ineffective. Once upon a time, many face scanners also depended on the relatively crude practice of scanning 2-D images of the human face, which are an imprecise method when there are varying lighting conditions.


But the key to solving many of these problems could be a simple upgrade: StereoVision’s system scans in 3-D. When the system first scans you, it creates a 3-D model of your face instead of a 2-D image. That allows the system to isolate your face from a crowd, sharpen the image — which boosts the range — and then compares the image to a database. A filter also adjusts for varying degrees of light by smoothing out light across the face into a uniform pattern.


Now for the flaws in the system. The binoculars are not intended to work at night, and have difficulty scanning faces in twilight. When the binoculars can’t draw an image, it gives off a an audible beep to the operator, which is helpful. Otherwise, the process takes “about five to 10 seconds,” says Steinthal.


It’s also less effective when a subject is on the move. “[It] depends on how fast the target is walking,” Steinthal says. “We’re at walking, one-and-half meters per second. Somebody running? We’re not going to be able to do that right now.”


The concept of binoculars that scan and identify is also — perhaps unnervingly — not limited to the military. For one, StereoVision’s binoculars were developed in part with a $409,226 contract from the National Institute of Justice, and face scanners are a popular research topic for the FBI more broadly.


The FBI is spending $1 billion on a program called Next Generation Identification based around developing face scanners and combining the technology with other biometrics like the iris, voice, and fingerprints. A static face recognition system has also been installed at Toucumen International Airport in Panama City that can scan travelers’ faces and match them to criminal databases maintained by the FBI and Interpol. The Los Angeles County Sheriff’s Department and the San Diego Police Department have also tested out the binoculars, according to Steinthal, and are intended there for gang enforcement units and even to track “celebrity stalkers” in the L.A. area. Maybe if the FBI wants its special agents to also have some pretty far-out binoculars too, it should take a peek.


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Well: Expressing the Inexpressible

When Kyle Potvin learned she had breast cancer at the age of 41, she tracked the details of her illness and treatment in a journal. But when it came to grappling with issues of mortality, fear and hope, she found that her best outlet was poetry.

How I feared chemo, afraid
It would change me.
It did.
Something dissolved inside me.
Tears began a slow drip;
I cried at the news story
Of a lost boy found in the woods …
At the surprising beauty
Of a bright leaf falling
Like the last strand of hair from my head

Ms. Potvin, now 47 and living in Derry, N.H., recently published “Sound Travels on Water” (Finishing Line Press), a collection of poems about her experience with cancer. And she has organized the Prickly Pear Poetry Project, a series of workshops for cancer patients.

“The creative process can be really healing,” Ms. Potvin said in an interview. “Loss, mortality and even hopefulness were on my mind, and I found that through writing poetry I was able to express some of those concepts in a way that helped me process what I was thinking.”

In April, the National Association for Poetry Therapy, whose members include both medical doctors and therapists, is to hold a conference in Chicago with sessions on using poetry to manage pain and to help adolescents cope with bullying. And this spring, Tasora Books will publish “The Cancer Poetry Project 2,” an anthology of poems written by patients and their loved ones.

Dr. Rafael Campo, an associate professor of medicine at Harvard, says he uses poetry in his practice, offering therapy groups and including poems with the medical forms and educational materials he gives his patients.

“It’s always striking to me how they want to talk about the poems the next time we meet and not the other stuff I give them,” he said. “It’s such a visceral mode of expression. When our bodies betray us in such a profound way, it can be all the more powerful for patients to really use the rhythms of poetry to make sense of what is happening in their bodies.”

On return visits, Dr. Campo’s patients often begin by discussing a poem he gave them — for example, “At the Cancer Clinic,” by Ted Kooser, from his collection “Delights & Shadows” (Copper Canyon Press, 2004), about a nurse holding the door for a slow-moving patient.

How patient she is in the crisp white sails
of her clothes. The sick woman
peers from under her funny knit cap
to watch each foot swing scuffing forward
and take its turn under her weight.
There is no restlessness or impatience
or anger anywhere in sight. Grace
fills the clean mold of this moment
and all the shuffling magazines grow still.

In Ms. Potvin’s case, poems related to her illness were often spurred by mundane moments, like seeing a neighbor out for a nightly walk. Here is “Tumor”:

My neighbor walks
For miles each night.
A mantra drives her, I imagine
As my boys’ chant did
The summer of my own illness:
“Push, Mommy, push.”
Urging me to wind my sore feet
Winch-like on a rented bike
To inch us home.
I couldn’t stop;
Couldn’t leave us
Miles from the end.

Karin Miller, 48, of Minneapolis, turned to poetry 15 years ago when her husband developed testicular cancer at the same time she was pregnant with their first child.

Her husband has since recovered, and Ms. Miller has reviewed thousands of poems by cancer patients and their loved ones to create the “Cancer Poetry Project” anthologies. One poem is “Hymn to a Lost Breast,” by Bonnie Maurer.

Oh let it fly
let it fling
let it flip like a pancake in the air
let it sing: what is the song
of one breast flapping?

Another is “Barn Wish” by Kim Knedler Hewett.

I sit where you can’t see me
Listening to the rustle of papers and pills in the other room,
Wondering if you can hear them.
Let’s go back to the barn, I whisper.
Let’s turn on the TV and watch the Bengals lose.
Let’s eat Bill’s Doughnuts and drink Pepsi.
Anything but this.

Ms. Miller has asked many of her poets to explain why they find poetry healing. “They say it’s the thing that lets them get to the core of how they are feeling,” she said. “It’s the simplicity of poetry, the bare bones of it, that helps them deal with their fears.”


Have you written a poem about cancer? Please share them with us in the comments section below.
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Frequent Flier: An Unhappy Meal and an Aborted Business Trip - Frequent Flier





I WAS going to go into academics, but then decided to serve the marketing machine by going into public relations. A lot of my travel involves conferences, speaking engagements and, of course, pitching new business and meeting with existing clients.







Jason Schlossberg, a partner in the public relations agency Kwittken & Company, in Kyoto, Japan, last year. He still looks forward to flying.





Q. How often do you fly for business?


A. Three to four times a month, a mix of domestic and international.


Q. What’s your least favorite airport?


A. Charles de Gaulle in Paris. It’s just a big monstrosity and very confusing.


Q. Of all the places you’ve been, what’s the best?


A. Everywhere I go is usually my favorite. But if I have to choose, I’d say Tokyo. It’s like being on another planet. The food, culture and people are amazing. Plus, I speak Japanese, but only as well as a smart third grader.


Q. What’s your secret airport vice?


A. I fly in and out of Logan Airport in Boston a lot and will push my flight back just so I can stop at Legal Sea Foods and have a lobster roll and a Sam Adams.





Even though the airlines are doing everything in their power to make me hate flying, I still get excited about getting on a plane.


I used to be a D.J., and still do it on occasion. A few years ago, I would leverage my business trips to Chicago, Tokyo and Miami, all places where we had clients, into D.J. gigs by checking out the D.J. message boards for open slots in these cities. It was a great way to break the ice with clients.


Sometimes I travel with colleagues, but there’s always this unspoken agreement that plane time is alone time. My business partner took that to a new level.


For several years, we had a client in the Napa Valley. We always held our meetings on a Monday. It was a great place to go, and when I traveled alone, I would leave New York early on a Sunday, land in San Francisco, and drive up to Napa. I’d have a great dinner, and some wine. That’s the way to start a business trip.


But my business partner looks at travel as more of a chore. He’s a workaholic, but hates sacrificing family time because of business travel. So when we traveled together to Napa, he always insisted on taking the last flight out of New York on Sunday night. That left no time to enjoy Napa.


At the start of one Napa trip, we got to Kennedy Airport a little late, and neither of us had eaten. So I grabbed a quick meal at a deli before it was time to board, and my partner went to a fast-food place.


After finishing my meal, such as it was, I got on the plane and looked for my partner. We were supposed to be seated a few rows apart. I didn’t see him. I got myself settled, and then my phone went off.


It was my partner telling me he had been kicked off the flight. I asked him how that was possible since we weren’t boarding for that long. I thought he was kidding. I thought he just wanted out of traveling. I mean, this guy is not the type of guy to get kicked off a plane.


But apparently, his fast-food meal quickly disagreed with him, and he had some stomach difficulties. To make matters worse, he appears to have a little quirk that happens any time he gets nauseous. Basically, he kind of whimpers, or screams, depending on how you define the loud noise that he was emitting, in between his bouts of nausea. I couldn’t believe it. It was the strangest thing I ever heard. It’s not like he has a disease. He’s a healthy guy.


The flight attendants and fellow passengers weren’t happy with him. Not only did they have to deal with a guy who was getting sick in his seat, but also one who was loud. Very loud. They probably thought there wasn’t enough Pepto-Bismol on the plane, let alone the planet, to help him. He was escorted off.


I told him I knew he didn’t like traveling, but this was ridiculous. And then, I couldn’t stop laughing. He and I are still business partners, and friends.


We still travel together quite often and every time I get on a plane with him now, I just look at him and smirk. And hope that he hasn’t had any fast food.


By Jason Schlossberg, as told to Joan Raymond. E-mail: joan.raymond@nytimes.com.



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Ravens win Super Bowl XLVII over the 49ers, 34-31









Ravens 34, 49ers 31 (final)


The Baltimore Ravens have defeated the San Francisco 49ers in Super Bowl XLVII.


It's the second championship for the Ravens and linebacker Ray Lewis, who is retiring after 17 seasons.





After taking a safety on their final possession, Baltimore punted to San Francisco, which was unable to set up a return and suffered its first loss in six appearances in the NFL championship game.


San Francisco never led in the game, but the 49ers still had a chance to win the game when punt returner Ted Ginn Jr. fielded the punt. A swarming Ravens defense contained him near midfield before making the tackle.


Baltimore quarterback Joe Flacco was selected the game’s most valuable player.

The championship goes to Baltimore Coach John Harbaugh over his kid brother, San Francisco Coach Jim Harbaugh.


The Times will have full coverage of the game played at the New Orleans Superdome throughout the night at latimes.com.


Ravens 34, 49ers 31 (4 seconds left)


The Baltimore Ravens are closing in on a Super Bowl title.


After moving the ball from their own 20-yard line to the Ravens’ 5, San Francisco saw Baltimore defensive back Joey Smith break up a third-down pass to Michael Crabtree.


Colin Kaepernick was then rushed heavily, forcing a throw that 49ers Coach Jim Harbaugh begged for pass interference with a Ravens defensive back and Crabtree jostling for position.


The Kaepernick pass flew beyond Crabtree with cornerback Jimmy Smith tugging on his jersey.


The Ravens went three and out on their next possession, opting to take a safety with four seconds remaining as the punter ran out of the end zone.


It’s now Baltimore 34, San Francisco 31.


Ravens 34, 49ers 29 (two-minute warning)


The San Francisco 49ers have never lost a Super Bowl, and now they find themselves in Joe Montana territory against the Cincinnati Bengals back in the day.


Taking possession at their own 20-yard line with 4:19 left in the game and trailing by five points, San Francisco quarterback Colin Kaepernick ran for a first down, then completed a 24-yard pass to receiver Michael Crabtree to the Baltimore's 40.


A Frank Gore run moved the ball to Baltimore’s seven, and it’s now the two-minute warning.


Ravens 34, 49ers 29 (4:19 left in fourth quarter)


The Baltimore Ravens have increased their lead over the San Francisco 49ers to five points with 4:19 left in regulation.





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Wired Science Space Photo of the Day: Wheatley Crater on Venus


Magellan radar image of Wheatley crater on Venus. This 72 km diameter crater shows a radar bright ejecta pattern and a generally flat floor with some rough raised areas and faulting. The crater is located in Asteria Regio at 16.6N,267E.


Image: NASA/GSFC [high-resolution]


Caption: NASA

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Beyonce brings electricity at Super Bowl halftime






Lights out? Blame Beyonce‘s electrifying performance.


If naysayers still doubted Beyonce‘s singing’s talents — even after her national anthem performance this week at a press conference — the singer proved she is an exceptional performer at the Super Bowl halftime show.






Beyonce opened and closed the performance belting songs, and in between she danced hard and heavy — and better than most contemporary pop stars.


She set a serious tone as she emerged onstage in all black, singing lines from her R&B hit “Love on Top.” The stage was dark as fire and lights burst from the sides. Then she went into her hit “Crazy In Love,” bringing some feminine spirit to the Super Dome as she and her background dancers did the singer’s signature booty-shaking dance. Beyonce ripped off part of her shirt and skirt. She even blew a kiss. She was ready to rock, and she did so like a pro.


Her confidence — and voice — grew as she worked the stage with and without her Destiny’s Child band mates during her 13-minute set, which comes days after she admitted she sang to a pre-recorded track at President Barack Obama‘s inauguration less than two weeks ago.


Beyonce proved not only that she can sing, but that she can also entertain on a stage as big as the Super Bowl’s. She was far better than Madonna, who sang to a backing track last year, and miles ahead of the Black Eyed Peas’ disastrous set in 2011.


Beyonce was best when she finished her set with “Halo.” She asked the crowd to put their hands toward her as she sang the slow groove on bended knee — and that’s when she the performance hit its high note.


“Thank you for this moment,” she told the crowd. “God bless y’all.”


Her background singers helped out as Beyonce danced around the stage throughout most of her performance. There was a backing track to help fill in when Beyonce wasn’t singing — and there were long stretches when she let it play as she performed elaborate dance moves.


She had a swarm of background dancers and band members spread throughout the stage, along with videotaped images of herself dancing that may have unintentionally played on the live-or-taped question. And the crowd got bigger when she was joined by her Destiny’s Child band mates.


Kelly Rowland and Michelle Williams popped up from below the stage to sing “Bootylicious.” They were in similar outfits, singing and dancing closely as they harmonized. But Rowland and Williams were barely heard when the group sang “Independent Woman,” as their voices faded into the background.


They also joined in for some of “Single Ladies (Put a Ring On It),” where Beyonce‘s voice grew stronger. That song featured Beyonce‘s skilled choreography, as did “End of Time” and “Baby Boy,” which featured Beyonce‘s all-female band, balancing out the testosterone levels on the football field.


Before the game, Alicia Keys performed a lounge-y, piano-tinged version of the national anthem that her publicist assured was live. The Grammy-winning singer played the piano as she sang “The Star Spangled Banner” in a long red dress with her eyes shut.


She followed Jennifer Hudson, who sang “America the Beautiful” with the 26-member Sandy Hook Elementary School chorus, an emotional performance that had some players on the sideline on the verge of tears.


The students wore green ribbons on their shirts in honor of the 20 first-graders and six adults who were killed in a Dec. 14 shooting rampage at the school in Newton, Conn.


The students began the song softly before Hudson, whose mother, brother and 7-year-old nephew were shot to death five years ago, jumped in with her gospel-flavored vocals. She stood still in black and white as the students moved to the left and right, singing background.


___


Follow Mesfin Fekadu on Twitter at http://twitter.com/MusicMesfi n


Entertainment News Headlines – Yahoo! News





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Phys Ed: Helmets for Ski and Snowboard Safety

Phys Ed

Gretchen Reynolds on the science of fitness.

Recently, researchers from the department of sport science at the University of Innsbruck in Austria stood on the slopes at a local ski resort and trained a radar gun on a group of about 500 skiers and snowboarders, each of whom had completed a lengthy personality questionnaire about whether he or she tended to be cautious or a risk taker.

The researchers had asked their volunteers to wear their normal ski gear and schuss or ride down the slopes at their preferred speed. Although they hadn’t informed the volunteers, their primary aim was to determine whether wearing a helmet increased people’s willingness to take risks, in which case helmets could actually decrease safety on the slopes.

What they found was reassuring.

To many of us who hit the slopes with, in my case, literal regularity — I’m an ungainly novice snowboarder — the value of wearing a helmet can seem self-evident. It protects your head from severe injury. During the Big Air finals at the Winter X Games in Aspen, Colo., this past weekend, for instance, Halldor Helgason, a 23-year-old Icelandic snowboarder, over-rotated on a triple back flip, landed headfirst on the snow and was briefly knocked unconscious. But like the other competitors he was wearing a helmet, and didn’t fracture his skull.

Indeed, studies have concluded that helmets reduce the risk of a serious head injury by as much as 60 percent. But a surprising number of safety experts and snowsport enthusiasts remain unconvinced that helmets reduce overall injury risk.

Why? A telling 2009 survey of ski patrollers from across the country found that 77 percent did not wear helmets because they worried that the headgear could reduce their peripheral vision, hearing and response times, making them slower and clumsier. In addition, many worried that if they wore helmets, less-adept skiers and snowboarders might do likewise, feel invulnerable and engage in riskier behavior on the slopes.

In the past several years, a number of researchers have tried to resolve these concerns, for or against helmets. And in almost all instances, helmets have proved their value.

In the Innsbruck speed experiment, the researchers found that people whom the questionnaires showed to be risk takers skied and rode faster than those who were by nature cautious. No surprise.

But wearing a helmet did not increase people’s speed, as would be expected if the headgear encouraged risk taking. Cautious people were slower than risk-takers, whether they wore helmets or not; and risk-takers were fast, whether their heads were protected or bare.

Interestingly, the skiers and riders who were the most likely, in general, to wear a helmet were the most expert, the men and women with the most talent and hours on the slopes. Experience seemed to have taught them the value of a helmet.

Off the slopes, other new studies have brought skiers and snowboarders into the lab to test their reaction times and vision with and without helmets. Peripheral vision and response times are a serious safety concern in a sport where skiers and riders rapidly converge from multiple directions.

But when researchers asked snowboarders and skiers to wear caps, helmets, goggles or various combinations of each for a 2011 study and then had them sit before a computer screen and press a button when certain images popped up, they found that volunteers’ peripheral vision and reaction times were virtually unchanged when they wore a helmet, compared with wearing a hat. Goggles slightly reduced peripheral vision and increased response times. But helmets had no significant effect.

Even when researchers added music, testing snowboarders and skiers wearing Bluetooth-audio equipped helmets, response times did not increase significantly from when they wore wool caps.

So why do up to 40 percent of skiers and snowboarders still avoid helmets?

“The biggest reason, I think, is that many people never expect to fall,” said Dr. Adil H. Haider, a trauma surgeon and associate professor of surgery at Johns Hopkins University in Baltimore and co-author of a major new review of studies related to winter helmet use. “That attitude is especially common in people, like me, who are comfortable on blue runs but maybe not on blacks, and even more so in beginners.”

But a study published last spring detailing snowboarding injuries over the course of 18 seasons at a Vermont ski resort found that the riders at greatest risk of hurting themselves were female beginners. I sympathize.

The take-away from the growing body of science about ski helmets is in fact unequivocal, Dr. Haider said. “Helmets are safe. They don’t seem to increase risk taking. And they protect against serious, even fatal head injuries.”

The Eastern Association for the Surgery of Trauma, of which Dr. Haider is a member, has issued a recommendation that “all recreational skiers and snowboarders should wear safety helmets,” making them the first medical group to go on record advocating universal helmet use.

Perhaps even more persuasive, Dr. Haider has given helmets to all of his family members and colleagues who ski or ride. “As a trauma surgeon, I know how difficult it is to fix a brain,” he said. “So everyone I care about wears a helmet.”

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Advertising: Super Bowl Commercials Relied on Outdated Ad Tactics


A mother-in-law joke was the focus of a spot for Century 21.





The commercials that CBS broadcast nationally during the game were, by and large, disappointing. They represented a missed opportunity for marketers and agencies to demonstrate that they had at least some understanding of how contemporary consumers think and behave.


Alas, the so-called creative minds of Madison Avenue chose once again to fall back on familiar strategies and themes that would have appealed more to viewers during the Eisenhower, Nixon, Reagan or Clinton administrations.


There was a mother-in-law joke in a commercial for Century 21; a commercial for Audi that was set at a prom; a gag based on a young man’s nervous uttering of the word “panties” in a commercial for Mennen Speed Stick; a commercial for Pepsi Next that brought to mind the 1983 movie “Risky Business”; a commercial for Volkswagen whose humor quotient depended on whether viewers find ethnic dialects funny; a commercial for Coca-Cola that mashed up classic films like “Lawrence of Arabia,” “The Wild Bunch,” “Mad Max” and “The Adventures of Priscilla, Queen of the Desert”; and a commercial that featured a chorus of leggy dancing girls dressed as Wonderful pistachios, echoing the 1950s commercials in which dancers were dressed as Old Gold cigarette packs.


The vintage vibe was underlined by a preoccupation with space. At least four commercials — for Axe Apollo, E*Trade, the Kia Sorento and Lincoln — included images of astronauts. It seemed as if at any moment there would be a spot for Tang.


There was also the usual overreliance on tried and true — read: “tired” — Super Bowl ad tactics. Anthropomorphic animals abounded in spots for brands like Cars.com, Doritos and Skechers, and slapstick violence, with men always the victims, in spots for brands like the Kia Forte.


Fortunately, all was not dross. There were some enjoyable and effective commercials mixed among the clunkers, particularly those that sought to be timely by including in their plots New Orleans, the site of Super Bowl XLVII, or references to the contenders, the Baltimore Ravens and the San Francisco 49ers.


Here is a look at some of those outstanding spots.


BUD LIGHT Two compelling commercials for Bud Light, brewed by the Anheuser-Busch division of Anheuser-Busch InBev, featured Stevie Wonder as a mysterious purveyor of “mojo” for football fans in New Orleans. He was spooky enough to warrant a shout-out at his next concert, “Do do that voodoo that you do so well.” Agency: Translation.


BUDWEISER A spot for Budweiser beer, also from Anheuser-Busch, about a Clydesdale and a trainer, wore its heart on its sleeve, or its hoof. But the corn was sweet and tasty. Agency: Anomaly.


M&M’S In a hilarious commercial for the M&M’s candy brand, sold by Mars, the character Red warbled “I’d Do Anything for Love (But I Won’t Do That)” to express his desire for a human woman, played by Naya Rivera of “Glee.” She reciprocated his ardor with a disturbing hunger for more than hugs. Agency: BBDO New York.


MERCEDES-BENZ The plot of a commercial for the new Mercedes-Benz CLA echoed everything from “Faust” to “Damn Yankees.” And a dream sequence echoed a 2012 Super Bowl spot for Kia.


Still, the commercial was infinitely better than an overheated teaser spot that promoted it. It also had a nice New Orleans atmosphere, Willem Dafoe as Lucifer, clever cameo appearances by Condé Nast magazines like GQ, and a punch line centered on a selling point, the car’s sticker price. Agency: Merkley & Partners.


OREO A spot for Oreo, sold by Mondelez International, also stood out for its focus on a selling point, in this instance the longtime debate among brand fans over the “best part”: is it the cookie or the cream filling?


The most delicious moment came when a police officer trying to break up an Oreo fight in a library whispered through his bullhorn. The commercial ended with a 21st-century twist by asking viewers to “choose your side on Instagram.” Agency: Wieden & Kennedy.


TACO BELL O.K., a spot for the Taco Bell division of Yum Brands — about elderly friends who escape a retirement home for the kind of night out their grandchildren would enjoy — plays like a product-placement version of “Cocoon” crossed with the “Kick the Can” segment of “Twilight Zone: The Movie.”


Yet there were some sharp sight gags, especially the glimpse at the end of a character’s tattoo. And the Spanish-language version of the Fun. tune “We Are Young” that played on the soundtrack might make the song a hit all over again. Agency: Deutsch L.A.


TIDE A delightful commercial for Tide, sold by Procter & Gamble, told a fanciful tale of a “miracle stain” on a 49ers fan’s jersey that resembled the team’s former star quarterback, Joe Montana. The sendup of media hype was knowing, and the surprising punch line was perfect. Agency: Saatchi & Saatchi.


TOYOTA A commercial for the Toyota RAV4, sold by Toyota Motor Sales U.S.A., evoked the ‘60s sitcom “I Dream of Jeannie,” with Kaley Cuoco stepping in for Barbara Eden. But the spot had its own charms, particularly how the wishes granted by the genie careered from charming to chaotic. Agency: Saatchi & Saatchi Los Angeles.


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